Distant Operator reviewed in Geist Magazine

New member Marianne Dages‘ show Distant Operator was reviewed in Geist Magazine.
Writing for the magazine, Evan Paul Laudenslager explains:
Marianne Dages has achieved something decidedly difficult in Distant Operator at Napoleon–a body of work that is highly theoretical and still manages to be aesthetically pleasing with little effort. Translation is the central point of the work, especially of communal/personal experience into myths both large and small, intimate and universal.