Kay Healy: What is Real

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What is Real NAPOLEON member Alexis Nutini hosts Philadelphia Artist Kay Healy What is Real is an exhibition of stuffed, screen printed, painted and sewn representational and appropriated objects. Fabric figures combined with still life objects illustrate specific stories and create surreal narratives. In this recent series Healy utilizes templates of hands, legs, busts, and … Continue reading

Ivanco Talevski: Proposals for Monuments

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Proposals for Monuments NAPOLEON member Christina P. Day hosts Philadelphia artist Ivanco Talevski Proposals for Monuments will exhibit a collection of drawings, etchings, and paintings that catalog Talevski’s response to phenomena he struggles to understand daily. Talevski’s work catalogues a range of observations about the asinine side of human behavior from trivial annoyances to colossal injustices. In … Continue reading

Leslie Friedman: Go Home

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Go Home An installation of new work by NAPOLEON founder Leslie Friedman Home is the place where we find comfort, shelter, and sanctuary. But what if you aren’t allowed to truly unpack? Go Home is an installation that explores the ache of impermanence and the universal need to settle in. Opening Reception First Friday, March … Continue reading

Evan Paul English: CAMOUFLAGED

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CAMOUFLAGED Works by Evan Paul English, curated by NAPOLEON member Liza Coviello CAMOUFLAGED, a solo exhibition of work by Evan Paul English, is an intimate exploration of the connection between subjectivity, representation, and perception. Employing a variety of processes and materials that buck traditional methods in self-portraiture and imbue sculpture with his personal nostalgia, English’s … Continue reading

COOP Collective at NAPOLEON: Fields of Resonance

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In the month of January, NAPOLEON will be participating in a month-long gallery exchange with members of the curatorial collective, COOP from Nashville, TN. COOP and NAPOLEON are pleased to present: Fields of Resonance An exhibition by members of COOP, Nashville, TN hosted by NAPOLEON Alex Blau Paul Collins Kristi Hargrove Jana Harper Ron Lambert Jonathan Rattner … Continue reading

Aim At What You See

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Aim At What You See A Photography & Printmaking Invitational Curated by the Members of NAPOLEON In Celebration of the Print Center’s Centennial In this invitational exhibition, members of NAPOLEON selected works by artists whose work they value and admire, showcasing the diverse interests of the collective. This body of selected works incidentally features a … Continue reading

Joshua Reiman: Glass Houses

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Glass Houses A solo exhibition by Joshua Reiman, curated by NAPOLEON member Lewis Colburn NAPOLEON is pleased to announce a solo exhibition by Joshua Reiman, titled Glass Houses. On view will be five sculptural vitrines holding objects with narratives linked through their materiality and embedded meaning. Reiman mines everything from modernist sculpture to Pennsylvania robber barons, fracking, … Continue reading

Marc Blumthal: SuperCuts

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SuperCuts A solo exhibition by NAPOLEON member Marc Blumthal SuperCuts examines representation as a means of abstraction.  Obstructing access to the gallery with a wall, this installation presents a series of photo-based works through a live-feed video, presenting exhibition as object while measuring the experience of looking. A series of performances will accompany the exhibition, exploring and … Continue reading

Tamsen Wojtanowski and Elaine Livingstone: In the Yard

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In the Yard a multi-dimensional exhibition by NAPOLEON member Tamsen Wojtanowski and writer Elaine Livingstone For their collaborative exhibition, In the Yard, Wojtanowski and Livingstone call on the audience to both observe and remember. Interested in the different ways storytelling inserts itself into our daily lives and interacts with the sense of self, personal history, and … Continue reading

Shane Darwent : Southside All Stars

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Southside All Stars A solo-exhibition by Shane Darwent, curated by Napoleon member Marianne Dages In Southside All Stars, litter-dappled grass becomes a painterly celebration of grotesque beauty. Colorful, plastic still-lives are like empty sets, ripe with possible narratives. Darwent draws inspiration from the semi-urban landscape of his Chattanooga neighborhood and presents photographs and sculptures that encourage us to contemplate the role of … Continue reading

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