Suspended Polarities in Nick Fagan’s Too Busy to 86, an essay by Ramey Mize

Suspended Polarities in Nick Fagan’s Too Busy to 86 An essay by Ramey Mize A dark arabesque of text and image engraved on foam, entitled Too Busy to 86  by Nick Fagan, considers the reticence of suicide as well as the clamor of questions that occur to those in its wake. This piece, a memorial … Continue reading

Lighted Geographies: Space, Memory, and Knowledge in Lauren Rosenthal’s Topographies and Rich Hogan’s Untitled, Photographs – An Essay by Hilary R. Whitham

Rich Hogan, Untitled (1), 2016, 44″ x 56″, Archival Inkjet Print In his 1994 essay, Felix in Exile: Geography of Memory, South African artist William Kentridge writes, “The landscape hides its history. The general nature of terrain and landscape as image is to appear as fact. […] I am really interested in the terrain’s hiding … Continue reading

F(L)AT : AN ESSAY BY THE MEMBERS OF SOIL

Napoleon and Tiger Strikes Asteroid are pleased to present F(L)AT, featuring artworks by members of the artist-run gallery SOIL, located in Seattle, Washington. F(L)AT – Flat or Fat – is a response to the complications of shipping artwork across the country. The members of SOIL were tasked with creating artwork that could ship flat and … Continue reading

Sink, Swim, or Float: Ava Hassinger, Katie Locke, Daniel Oliva and Ricardo Zapata at NAPOLEON

Sink, Swim, or Float: Ava Hassinger, Katie Locke, Daniel Oliva and Ricardo Zapata at NAPOLEON An essay by Samantha Mitchell Floating is an act both active and passive. To float is a natural function of the human body, and one that in more turbulent waters can require a profound struggle. If the current climate in this … Continue reading

H. John Thompson’s Trouble Light: An essay by John Vick

H. John Thompson’s Trouble Light An essay by John Vick How do we find our way in the world, metaphorically speaking? Do we set a course and follow it along, confident that we will reach our destination? Do we feel out a route, navigating slowly and tentatively from a known starting point to some unknown … Continue reading

NAPOLEON Exhibition at COOP Gallery in Nashville, TN

As Fields of Resonance opens at NAPOLEON here in Philadelphia in January, there will be another exhibition opening at COOP Gallery in Nashville, TN. We are so pleased to be participating in a month-long gallery exchange with the members of COOP and to present: Far More Real  An exhibition by NAPOLEON members, hosted by COOP Gallery, Nashville, TN Marc Blumthal … Continue reading

COOP Collective at NAPOLEON: Fields of Resonance

In the month of January, NAPOLEON will be participating in a month-long gallery exchange with members of the curatorial collective, COOP from Nashville, TN. COOP and NAPOLEON are pleased to present: Fields of Resonance An exhibition by members of COOP, Nashville, TN hosted by NAPOLEON Alex Blau Paul Collins Kristi Hargrove Jana Harper Ron Lambert Jonathan Rattner … Continue reading

NAPOLEON Members at the Center for Art in Wood

Nine of NAPOLEON’s members are participating in Other Selections, an exhibition at the Center for Art in Wood in Philadelphia. A total of 18 local artists, including members of NAPOLEON, Tiger Strikes Asteroid, Vox Populi and McCartney-Belknap, created new works in response to objects in the Center’s extensive collection. Other Selections opens on First Friday, May 1st with … Continue reading

The Untitled-ness of Daniel Petraitis’s Tondo

The Untitled plaster-cast mattress will transform from sun to moon as NAPOLEON closes for today.  Come see this beautiful work of Daniel Petraitis, curated by our Napoleon founder and member Leslie Friedman, rise and set all throughout March.  We’ll be open from 2-6pm Sat & Sun and by appointment.

Marianne Dages in The St. Claire

Marianne Dages Participates in “The Form Review” for her show “Distant Operator.” According to the St.Claire Website: The Form Review is a simple attempt to increase dialogue within art journalism and highlight the subjectivity of a traditional exhibition review.  Artists/curators/responsible parties of an exhibition are invited to respond to five short prompts.  In turn, a … Continue reading

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